The Everlasting by Alix E. Harrow
Feb. 4th, 2026 02:19 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
lightreadsThe Everlasting
3/5. Fantasy about the soldier turned scholar who ends up going back in time (and back . . . and back . . . and back) to meet the lady knight who is pivotal to the founding myth of his nation. Arthurian time travel about nation-building and myth creation and racism.
Man, I don’t know what it is, but I just do not like Alix Harrow books the way I should. Even this one, where the overwrought quality of her writing finally has a story to match its tone. The writing in some sections is notably strong, I should say. But there is something in every single one of her books that I cannot put my finger on, and it just annoys the crap out of me.
I will admit this is structurally clever. The narrative gets rewritten multiple times to create new founding national myths, and she manages that while not being too terribly repetitive, and also establishing a few important touchpoints that orient the reader to how the angle of history has changed in just a few sentences. That is well done.
I still don’t know. The one objection I can concretely point to here is that I don’t like the way this book centers nation-building around the ego and trauma and psychopathy of one single person. The metaphor of it all collapses there, because that’s not how this works. Systems of racial oppression and societal violence don’t form on the whim of a single person, and there is something trite in the way Harrow has her villain reconstructing this nation over and over again based on, like, ten minutes of history that get played out a thousand years before the modern day events. Which is a real objection – I think that is a weakness of the book. But it’s not the thing I found annoying and off-putting, and I still don’t know what that is.
I’d bet on this to go on a bunch of award lists, though, just you wait.
Content notes: Racialized oppression, violence in war and otherwise, discussion of the killing of civilians, mention of stillbirth and sexual assault, something that is not the death of children but awfully close.
3/5. Fantasy about the soldier turned scholar who ends up going back in time (and back . . . and back . . . and back) to meet the lady knight who is pivotal to the founding myth of his nation. Arthurian time travel about nation-building and myth creation and racism.
Man, I don’t know what it is, but I just do not like Alix Harrow books the way I should. Even this one, where the overwrought quality of her writing finally has a story to match its tone. The writing in some sections is notably strong, I should say. But there is something in every single one of her books that I cannot put my finger on, and it just annoys the crap out of me.
I will admit this is structurally clever. The narrative gets rewritten multiple times to create new founding national myths, and she manages that while not being too terribly repetitive, and also establishing a few important touchpoints that orient the reader to how the angle of history has changed in just a few sentences. That is well done.
I still don’t know. The one objection I can concretely point to here is that I don’t like the way this book centers nation-building around the ego and trauma and psychopathy of one single person. The metaphor of it all collapses there, because that’s not how this works. Systems of racial oppression and societal violence don’t form on the whim of a single person, and there is something trite in the way Harrow has her villain reconstructing this nation over and over again based on, like, ten minutes of history that get played out a thousand years before the modern day events. Which is a real objection – I think that is a weakness of the book. But it’s not the thing I found annoying and off-putting, and I still don’t know what that is.
I’d bet on this to go on a bunch of award lists, though, just you wait.
Content notes: Racialized oppression, violence in war and otherwise, discussion of the killing of civilians, mention of stillbirth and sexual assault, something that is not the death of children but awfully close.
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